In the words of Mary Jane: “Have a happy!”
Amazing Spider-Man (Vol. 1) #46
Published: c. January, 1967?
Cover Date: March, 1967
“The Sinister Shocker!”
Writer: Stan Lee
Artist: John Romita
Inker: John Romita
Letterer: Sam Rosen
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on Craig’s Critique: Amazing Spider-Man #27 (Legacy #991): “The Real Torment Was The Ending” or “MJ Lets Torment Go”: “I like when some mysterious baddie has no links with the SH. After a while, you’re running out of B…” Apr 25, 03:54- on Craig’s Critique: Amazing Spider-Man #27 (Legacy #991): “The Real Torment Was The Ending” or “MJ Lets Torment Go”: “Review – A+ Comic – a generous C- I actually liked the look of Spider-Carnage with all the little spiders.…” Apr 24, 08:09
- on MARCO SPEAKS SPIDEY: VENOM #257 REVIEW: “I know this is part of a crossover event, but for an issue of Venom, the character of Venom had…” Apr 15, 11:14
- on MARCO SPEAKS SPIDEY: The Amazing Spider-Man #26 Review: “@Zach and Evan Berry: I don’t remember anything about a broken leg. I just went back and skimmed the space…” Apr 15, 10:38
- on MARCO SPEAKS SPIDEY: The Amazing Spider-Man #26 Review: “@Evan Berry: “I still don’t like that Mary Jane said to Eddie Brock, ‘Don’t die so I don’t have to…” Apr 15, 10:32
- on MARCO SPEAKS SPIDEY: The Amazing Spider-Man #26 Review: “@Dark Mark — I think you mean “Rek-Rap.” 😛” Apr 14, 09:18
- on MARCO SPEAKS SPIDEY: The Amazing Spider-Man #26 Review: “@Evan – I think it is the literature teacher in me – I am used to better authors crafting things…” Apr 13, 15:55
- on MARCO SPEAKS SPIDEY: The Amazing Spider-Man #26 Review: “@Dark Mark — That explanation is certainly worthy of a No-Prize! I love it when something can be explained in…” Apr 13, 14:56
- on MARCO SPEAKS SPIDEY: The Amazing Spider-Man #26 Review: “@Evan – you are right – that line was off for everything we know about MJ and Peter’s relationship. I’ll…” Apr 13, 10:10
@Hornacek — Well, that’s a relief — I was starting to feel really glad that I wasn’t around then, just for that alone.
@Evan Berry: This was a man in his 40s trying to write dialogue that he thought teenagers actually said.
That might be the most dialogue-dense series of panels I’ve ever seen. They sure called each other “dad” and “son” a lot in the sixties.
Flash was all about “fake news” back in the 1960s.